Donald Peck)or the Bilitis(arr. the 12 Chansons de Bilitis (something like a song but recited) and the Syrinx with recitation are also beautifully done by an alto and female reciter. For flute, viola, harp. David selects some of the best recordings of the French Impressionist composer, Claude Debussy. 'The great twin reed on which we lay beneath the sky.'. Autour de la Sonate pour flûte, alto et harpe, œuvre emblématique de Claude Debussy, le Trio Antara propose un choix de pièces écrites, par des compositeurs français, pour sa formation ou transcrites à son intention. I'm still very fond of the Kuijkens' recording of the sonatas, "Syrinx" and the String Quartet - just glad to have both records. He left behind his sonatas for cello and piano (1915), flute, viola and harp (1915), and violin and piano (1916–1917). (Oct, 1968). One of a few CDs where you can find Debussy's sonata for flute, viola, and harp. [5] The first public performance in France was thought to be at a charity concert on March 9, 1917. Debussy's chamber music often seems to exist in the shadow of his orchestral and solo piano output. Sold by Services LLC. The piece makes use of modes and whole-tone and pentatonic scales, as is typical of Debussy's style. Son instrumentation singulière (la flûte, l'alto et la harpe n'avaient jamais été associées dans une pièce de chambre) lui confère une atmosphère sonore douce et mélancolique, aux accents orientaux. Cité par Adelaïde de Place, livret du CD Debussy : Sonates et trio, Erato, 2017, p. 8. International Music Score Library Project,ûte,_alto_et_harpe&oldid=172041948, Article à illustrer Musique classique (œuvre), Article de Wikipédia avec notice d'autorité, Portail:Musique impressionniste/Articles liés, licence Creative Commons attribution, partage dans les mêmes conditions, comment citer les auteurs et mentionner la licence. Buy download online. La Sonate pour flûte, alto et harpe est en trois mouvements, chacun adoptant une forme tripartite A-B-A’ plus ou moins libre, avec une partie B toujours contrastante (par le caractère et souvent par le tempo).. Any admirer of Debussy will love this recording for its beauty, subtlety and sound. Stream ad-free or purchase CD's and MP3s now on Top subscription boxes – right to your door, La Flûte de Pan (Syrinx), pour flûte seule, La Flûte de Pan (Syrinx), version originale avec récitante, © 1996-2020,, Inc. or its affiliates. A typical performance lasts between 17 and 18 minutes. Then, at the Concerts Durand, he heard again the Septet with trumpet by Saint-Saëns and his sympathy for this means of musical expression was reawoken. After viewing product detail pages, look here to find an easy way to navigate back to pages you are interested in. Timbre et son : Claude Debussy « Sonate pour flûte, alto et harpe » au programme du baccalauréat Musique - Enseignement de spécialité, série L en 2017 et 2018. Philippe Bernold (flute), Gérard Caussé (viola), Isabelle Moretti (harp), Ariane … Edited by Carl Swanson. Claude Debussy : Sonate pour Flute, Alto, et Harpe (Original Manuscript Edition) Flûte, alto et harpe Carl Fischer (Original Manuscript Edition). Claude Debussy - Boston Symphony Chamber Players - Sonate Pour Violon Et Piano ∙ Sonate Pour Violoncelle Et Piano ∙ Sonata Pour Flûte, Alto Et Harpe ∙ Syrinx Pour Flûte Solo ‎ (LP, RE) Deutsche Grammophon, Deutsche Grammophon: MGX7061, 2538 405: Japan: Unknown: Sell This Version The premiere took place on 5 May 1917, the violin part played by Gaston Poulet, with Debussy himself at the piano. Score and parts. La Sonate pour flûte, alto et harpe de Claude Debussy fut composée entre septembre et octobre 1915 et dédiée à l'épouse du compositeur, Emma Debussy. It was the composer's last major composition and is notable for its brevity; a typical performance lasts about 13 minutes. Whether descriptive comments related to characters of the Commedia dell'arte were actually given by Debussy to cellist Louis Rosoor remains unclear.[4]. [12], The Australian composer Lyle Chan has written three sonatas for the same combinations of instruments as in the three unfinished Debussy sonatas. In a letter to the conductor Bernard Molinari, Debussy explained that the set should include "different combinations, with the last sonata combining the previously used instruments". The sonata for flute, viola, and harp, L. 137, was also written in 1915. La sonate de Debussy pour flûte, alto et harpe L. 137 ne fut pourtant, elle, commandée par aucun luthier… ni par personne d’autre.


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