Currently being displayed in the Uffizi Gallery in Florence, Italy. 1536 – March 1, 1542) was the illegitimate daughter of Cosimo I de' Medici, Grand Duke of Tuscany, born before his first marriage. RMN-Grand Palais / Nicola Lorusso. He found some joy after six months, with the birth of another daughter. Portrait of Bia de’ Medici by Agnolo Bronzino ca. My name is Moniek and I am from the Netherlands. In contrary to her short life, Bianca became immortal with the painting of Agnolo Bronzino, which commissioned by Cosimo I after her death. The sculpture, one of a series depicting members of the Medici family, shows an enameled reproduction of Bronzino's portrait of Bia in a dark wooden box, behind a blurred, deep blue glass pane. Staley wrote that her father's new wife, Eleonora di Toledo, refused to tolerate her presence in the palace after their marriage, so Cosimo sent her off to the Villa di Castello, her paternal grandmother's chief residence north of Florence. Painted in Florence, Italy. Unfortunately, at the age of about five, Bia suddenly fell ill towards the end of January 1542 and died within a few weeks. Your data will be shared with Google and other ad vendors. Cosimo I received almost daily reports of Bia's worsening condition from his mother, Maria Salviati. Check your inbox or spam folder to confirm your subscription. All of them, not only Cosimo's illegitimate daughter, spent most of their time at the Villa di Castello and were raised by nurses, with minimal day-to-day contact with their parents, though both Cosimo and Eleonora heard reports of their progress and offered directions for their education, their living arrangements, and the clothing they wore. Portrait of Don Garcia de' Medici Portrait of Giovanni de' Medici Portrait of Laura Battiferri Portrait of Lucrezia Panciatichi Portrait of Maria de' Medici Portrait of a Lady Portrait of a Young Man St. Mark The Holy Family Bianca de' Medici, usually known as Bia de' Medici, (c. 1536 – 1 March 1542) The identity of Bia's mother is not known, but Cosimo I was likely no older than sixteen when he fathered her. Not interested? The sculpture, which is owned by a private collector, was on display during a recent retrospective of Cornell's work originating with the Smithsonian American Art Museum. This site uses Akismet to reduce spam. Painting by Angelo Bronzino “Portrait of Bia Medici, daughter of Cosimo I”. She was buried in the Medici family crypt in San Lorenzo. 1536-1542. After Bia’s death at age 5 in 1542, Agnolo was commissioned to create this portrait in her memory. The size of the painting is 59 x 45 cm, wood, tempera. [3] Bia's father adored his first-born child, and her paternal grandmother, Maria Salviati, said the little girl "was the comfort of our court, being so very affectionate. The duke was distraught and had a plaster funeral mask cast of the child, as listed in the Guardaroba inventory of 1553, which also contains the first record of the portrait of Bia by Bronzino, mentioned by Giorgio Vasari in his biography of the artist. "[2] Her paternal grandmother supervised the nurseries for all of the children of Cosimo I. Cosimo was receiving daily reports about her condition. [4], When her legitimate half-sister Isabella de' Medici was born six months after her death, her father rejoiced to have another daughter. On either side of the main portrait are smaller vignette reproductions of the same portrait, behind glass as well. Angelo Bronzino - Bia, The Illegitimate Daughter of Cosimo I de' Medici (Museum: Uffizi) The painting portrays Bia, one of the two illegitimate daughters of Cosimo I, who died in 1542 when she was only five years old. Bianca de' Medici, Tuscany Also, she wears pearls on the portrait which were often worn by legitimate female members of the family, probably to emphasize the importance of the Bianca. Portrait of Bia de' Medici. By continuing to browse the site, you agree to such use. Only Cosimo I and the girl's paternal grandmother, Maria Salviati, knew the identity of the girl's mother, but Salviati refused to reveal it, though she did acknowledge Bia was the daughter of Cosimo. Portrait of Bia de' Medici; Artist: Agnolo Bronzino: Year: circa 1542: Medium: Oil on wood: Dimensions: 64 cm × 48 cm (25 in × 19 in) Location: Uffizi, Florence Burial places of the Queens and Consorts of England, Burial places of the Queens Consort of France, Burial places of the Queens and Consorts of Portugal, Burial Places of the Queens and Consorts of Spain, Carolina of Orange-Nassau – Ancestress of the Royal Houses of Europe, Queen Wilhelmina – A collection of articles. Staley wrote that the little girl was called La Bia, short for Bambina (little girl or baby). Bia grew up in a nursery at the Villa di Castello under the care of her paternal grandmother Maria Salviati Medici. Jan 4, 2017 - Free 2-day shipping. This is also due to the seated position that sees the child almost ready to jump to her feet, with a barely contained exuberance, and the way that she fidgets with the belt between her fingers. According to Edgcumbe Staley's The Tragedies of the Medici, some stories said the girl's mother was a village girl from Trebbio, where the Medicis had built one of their first villas, while others said she was a gentlewoman from Florence. Subscribe to our weekly newsletter and join our 4,677 subscribers to stay up to date on History of Royal Women's articles! Because Bia is the main and only focus of this picture, the painting is very grounded in the real world. N.N. The Canons and Decrees of the Council of Trent. Though, both of them admitted her as the daughter of Cosimo. During her short life, she was deeply loved by her father and grandmother, also probably by her stepmother (Elenora of Toledo). Also, Maria Salviati described her as a very tender child and comfort of the court. We use cookies to ensure a personalised experience on our website. Cosimo I and Maria Salviati (his mother) were the only people who knew her identity who refused to reveal it. [2] Her complexion is a pale white because Bronzino painted the portrait using her death mask as a model. Painted in Florence, Italy. "[2], Both Bia and her cousin Giulia contracted a fast-moving fever in February 1542, from which Giulia recovered but Bia did not. Find more prominent pieces of portrait at – best visual art database. [6] It was not an official state portrait, but would have hung in the family's private rooms as a reminder to them of the dead child and an inspiration and guide on the path to salvation. 1536 – March 1, 1542) was the illegitimate daughter of Cosimo I de' Medici, Grand Duke of Tuscany, born before his first marriage. We provide you the choice between different. Copyright © 2020 | WordPress Theme by MH Themes. Currently being displayed in the Uffizi Gallery in Florence, Italy. The name might also have been short for Bianca. The facts that this painting was created specifically of Bia and to retain her memory shows how it relates to secularism: it was meant to capture the essence of this person on Earth rather to show another painting of a religious scene or authority. Portraits, especially commissioned ones, are perfect examples of the idea of secularism because they have no ties to religion or mythology, they focus completely on one’s life on Earth. Find more prominent pieces of portrait at – best visual art database. Bia de' Medici (ca. 0. © Archives Alinari, Florence, Dist. After Bia’s death at age 5 … Jan 4, 2016 - Bia de' Medici, the illegitimate daughter of Cosimo I de' Medici, Grand Duke of Tuscany, died at about age six. Please enable JavaScript in your browser's settings to use this part of Geni. The fortieth years of the 16th century, marking the beginning of the next phase of the feudal Catholic reaction in Italy, are marked by the stabilization of the feudal-monarchical regime in the Italian states and the revitalization of the papal Rome, which leads the organized offensive of the ruling circles to the entire Renaissance heritage in the political and spiritual life of the country.


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